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Calderwood Gallery is a world class resource for original French Art Deco furniture. Works by Maurice Dufrene, Jacques Adnet, Ruhlmann, Jallot, Follot, Arbus, Leleu, Dominuque, Subes, Sue et Mare. Art Nouveau, decorative arts, iron works.
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Calderwood Gallery is a world class resource for original French Art Deco furniture. Works by Maurice Dufrene, Jacques Adnet, Ruhlmann, Jallot, Follot, Arbus, Leleu, Dominuque, Subes, Sue et Mare. Art Nouveau, decorative arts, iron works.
Inventory
Designers
About Us
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Inventory
Designers
About Us
Contact
Inventory Paul Follot pair of club chairs (#1044)
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Paul Follot pair of club chairs (#1044)

$23,000.00

Classic Art Deco club chairs in stained cherry. French, circa 1925. 29" wide x 30" deep x 37" high. Model documented in “Paul Follot” book.

PAUL FOLLOT
(1877 - 1958)


Paris-born decorative artist and sculptor PAUL FOLLOT studied at Ecole Normale d'Enseignment du Dessin under Eugene Grasset. In his early graphic design work he was influenced by medieval and Pre-Raphaelite art. In 1901 he joined La Maison Moderne in Paris where he designed bronzes, jewelry and fabric. By 1904 he had become an independent artist. And by 1910 he had begun to seek des architectures calmes ('tranquil architecture') through the use of beautiful and rare materials, refined techniques and harmonious and balanced forms in what would emerge later as the Art Deco style.


His work was first shown at the 1902 Salon of Societe des Artistes Francais and he showed for many years at Societe des Artistes Decorateurs, Nationale des Beaux Arts and Salon d'Automne.


His illustrious career included teaching and theory, and he considered ornamentation an essential element of design and had no interest in the minimalism of Ie style 25. He rejected mass-production art in favor of the aristocratic tradition of luxury.

 

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Classic Art Deco club chairs in stained cherry. French, circa 1925. 29" wide x 30" deep x 37" high. Model documented in “Paul Follot” book.

PAUL FOLLOT
(1877 - 1958)


Paris-born decorative artist and sculptor PAUL FOLLOT studied at Ecole Normale d'Enseignment du Dessin under Eugene Grasset. In his early graphic design work he was influenced by medieval and Pre-Raphaelite art. In 1901 he joined La Maison Moderne in Paris where he designed bronzes, jewelry and fabric. By 1904 he had become an independent artist. And by 1910 he had begun to seek des architectures calmes ('tranquil architecture') through the use of beautiful and rare materials, refined techniques and harmonious and balanced forms in what would emerge later as the Art Deco style.


His work was first shown at the 1902 Salon of Societe des Artistes Francais and he showed for many years at Societe des Artistes Decorateurs, Nationale des Beaux Arts and Salon d'Automne.


His illustrious career included teaching and theory, and he considered ornamentation an essential element of design and had no interest in the minimalism of Ie style 25. He rejected mass-production art in favor of the aristocratic tradition of luxury.

 

Classic Art Deco club chairs in stained cherry. French, circa 1925. 29" wide x 30" deep x 37" high. Model documented in “Paul Follot” book.

PAUL FOLLOT
(1877 - 1958)


Paris-born decorative artist and sculptor PAUL FOLLOT studied at Ecole Normale d'Enseignment du Dessin under Eugene Grasset. In his early graphic design work he was influenced by medieval and Pre-Raphaelite art. In 1901 he joined La Maison Moderne in Paris where he designed bronzes, jewelry and fabric. By 1904 he had become an independent artist. And by 1910 he had begun to seek des architectures calmes ('tranquil architecture') through the use of beautiful and rare materials, refined techniques and harmonious and balanced forms in what would emerge later as the Art Deco style.


His work was first shown at the 1902 Salon of Societe des Artistes Francais and he showed for many years at Societe des Artistes Decorateurs, Nationale des Beaux Arts and Salon d'Automne.


His illustrious career included teaching and theory, and he considered ornamentation an essential element of design and had no interest in the minimalism of Ie style 25. He rejected mass-production art in favor of the aristocratic tradition of luxury.

 

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Calderwood Gallery

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(215) 546-5357

(215) 327-8664

calderwood.gallery@gmail.com

242 Geiger Road

Philadelphia, PA. 19115

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